Jan 25, 2012
Notes
Notes
New publication
My article ”Body Refractions” which has just been published over at Academic Quarter examines Darren Aronofsky’s Black Swan and the notions of character identification and bodily transformation, arguing that the digital morphing of Black Swan suggests a different relation to the cinematic image, one which can only be understood in terms of affect rather than representation. It can be found here, for free
About
Hauntologist interested in visual culture and media aesthetics.
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